IF the telling of Alden Richards’ story were paused right here — “26 years old, single, Twitter legend, Guinness record holder, award-winning actor and recording artist, businessman, Good Samaritan” — that would already be two, maybe four, astonishing lifetimes.
BTS: #LifestyleLaguna Interview and Photo Shoot with #AldenRichards, Laguna’s Heartthrob
It has been one heck of a year for Alden Richards. The Kapuso prime artist has just wrapped up his telefantasya Victor Magtanggol wherein he played the titular superhero character. He has also staged his second solo concert recently.
I’m sure Maine (Mendoza) has the same principle — kami as AlDub, we have already done a lot of things together. So ngayon, we’re trying to do things on our own muna for personal growth.’ As he suits up for his new show ‘Victor Magtanggol,’ Alden talks to us about being shaped by AlDub, and growing beyond it all the same.
The A-list was started in Hollywood in this millennium to group together the major talents, the most bankable, the most known internationally among its luminous denizens.
Dressed in understated plain white-t-shirts, both Alden and Maine attract attention without even having to try.
Alden Richards gives YES! magazine a tour of his two-story home.
Alden Richards shows YES! magazine his mom's "special place" in the two-story house he bought for his family.
Inset: His mom Rosario, who died in 2008
In the newest chapter of Alden Richards’ and Maine Mendoza’s showbiz journey, they are whisked away by Mega magazine to faraway Morocco for a reinvention that is sure to cast a love spell on their fans.
By Apo Española. Photos by Ralph Mendoza, styling by Rex Atienza
There’s a concept in animation called the “uncanny valley”: as a character increases in human likeness, so do the feelings of familiarity and empathy towards it. Mapped out as a graph, that emotional response is a line on an upward trajectory. But the “uncanny valley” is the sharp dip that the line takes right before the point of ordinary human appearance: it represents the discomfort people feel towards a subject that appears almost—very close to, but not quite—real.
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